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The team behind The Hype Machine brings you development news, stuff that inspires us & behind-the-scenes goodness

Top 10 Music Blogs You Haven’t Heard (or Read) October 23, 2009

When John Seroff of The Tofuhut and Sean Michaels of Said the Gramophone lamented the uniformity of music blogs in the Music Blogger Roundtable discussion, we knew we could find some to restore their faith.

We’ve listed Top 10 Music Blogs You Haven’t Heard (or Read) over on blogs.com. Check them out—you just might fall in love with something unexpected.

Here’s the list:
Armchair Spasm (visit site)
Awesome Tapes From Africa (visit site)
Berezzka (visit site)
Doklands (visit site)
Funky16Corners (visit site)
Such Loud Noise (visit site)
Swan Fungus (visit site)
Undomondo (visit site)
Urban Flute Project (visit site)
WMFU’s Beware of the Blog (visit site)

Are you following any wonderful, weird blogs we don’t know about yet? Tell us in the comments.

Worthy reading: Music Bloggers Roundtable Part 1 & 2 September 19, 2009

Five years ago, in August 2004, The Morning News asked six music bloggers to talk about “the newest frontier in online music sharing”:

Roundtable: MP3 Bloggers, August 2004

With the help of Mike Smith, The Morning News revisited this topic earlier this year to have a second such roundtable on the topic.

Music Bloggers Roundtable Redux, July 2009

More on this later, but these two sets of interviews offer a unique perspective into where music blogs were and where they’ve arrived today, without marketing speak or hidden agendas.

The Miracle in July September 18, 2009

The Miracle in July is a modern love story told in the most modern way possible: via a vibrant set of photos, music and maps all published via an elegant Wordpress installation.

The author, Michelle Anderson, explains:

“Videos, images and music created specifically for this story will be embedded to help submerge the reader into the experience of falling in love online. New interactive elements will be added as I discover them. With sound, words, images and hyperlinks, this digital story is an experiment in interactive sculpting, using tools available to anyone with a connection to the Internet.”

There is much more to say about this, but it’s better to just dive in!

Also nice to find out that much of the music in the story was discovered via the Hype Machine and Last.fm.

First ever free download, new radio show & favorites shuffle! September 17, 2009

3 bits of news today:

First free download ever »

Today, we’ve teamed up with Metric to give away the Adam Freeland remix of “Sick Muse”. It’s the first free download we’ve ever given away! Just search for “Metric” on the site to get it.

Hype Machine Radio Show #10 »

Episode #10 of the Hype Machine Radio Show is ready! As usual, we highlight the finest from a month of new music and interview a few bloggers that contribute to the site. This episode is sponsored by Pop Montreal, an amazing independent music festival that takes over the city Sept 30 - Oct 4.

Favorites shuffle »

That’s right, you can now shuffle your favorites! It works exactly the way you think, just click “Shuffle” on your favorites page!

On Integrity & Advertising September 15, 2009

Last week, we ran what’s called a “site takeover” for a new single by P. Diddy.  A site takeover, or skin allows the advertiser to customize the look of many prominent parts of a website.  Today, we are running one for the new Kid Cudi record released tomorrow.

We’ve received a variety of responses to this highly visible campaign, and one email from Taz managed to summarize most of the frequent concerns into a single message.  I’ve asked Taz if I can share his emails to us and my responses, they are reproduced below in italics with his permission.

Taz:

Puff Daddy on the page?  I understand making a profit because you are a business, but come on.  Puff Daddy has never been on hypem because he is not a good artist for your target market.  I’m offended by this advertisement.  I used to listen to Pandora until they sold out.  You need to consider what the community thinks about this.

Anthony Volodkin:

Thanks for writing about this.

We are still working out the kinks with some ad campaigns.  I agree
that the execution of this one could be better.

On the other hand, it is also clear that this is an ad and not the
normal blog content which remains unaffected.

How did Pandora sell out?

Taz:

Thanks for the response.  I appreciate that you took the time to do this.

Here is why I think it could be a concern:  Hypem is special because the community are music hunters.  Unlike the majority of the market, your community seeks music to listen to instead of being fed music.  Radio stations and TV shows typically advertise and sell the music that pays the most, so its not really “good” music anymore. Record labels can obviously write the biggest check, so they get the airtime.  This drives away music hunters because the quality is typically not as enjoyable as truly good music.  Hypem is exactly what music hunters love because it is a truer system of measurement, determined by users and not executives.

What I fear is that once these record labels start dominating an entire page, what is to stop them from appearing on the front page for music?  It is all web space in the long run.  These people have so much money that they will approach you, if they haven’t already, with this idea.  As a business, I think this is great, but I still don’t want my music experience affected by a business deal like this.  If you can assure me that the content will never be promoted or the voting system will be taken advantage of, I am ok with this.  I just understand how money can determine these types of things and I dont want to see hypem sell out this way.

Pandora sold out because selected artists have a much better chance of showing up on a listener’s playlist.  They are literally a radio station, so labels pay them money to “show up more” on playlists.

However, if you are approached with this type of thing, I would encourage you to have a different section for this.  One way to approach this have a “hypem staff favorites” page.  Your staff could list promoted songs and then list them as their personal week favorites.  No one would suspect otherwise because it would be the “opinions” of the staff.

I use Hypem everyday and love it, so if I can help maintain how it functions, I will.

Anthony:

Responses to specific paragraphs below:

> What I fear is that once these record labels start dominating and entire
> page, what is to stop them from appearing on the front page for music?

We are there to stop them.  We delineate between content and
advertising carefully. When I started the Hype Machine several years
ago, these were the exact concerns I had about how music gets through
radio and magazines.

> It is all web space in the long run.

It’s not THAT simple, the context and how things are presented is
really important.  The P. Diddy campaign was very obviously an ad and
did not come from one of our trusted blogs.

> I just understand how money can determine these types of things and I
> don’t want to see hypem sell out this way.

We work diligently to prevent all sorts of manipulation of charts, as seen here:

1: http://blog.hypem.com/2009/06/on-chart-integrity/
2: http://blog.hypem.com/2009/07/more-on-integrity-and-promotion/

> Pandora sold out because selected artists have a much better chance of
> showing up on a listeners playlist.  They are literally a radio station, so
> labels pay them money to “show up more” on play lists.

I am not familiar with this program, but I’d have to imagine they
disclose this to the listener when it takes place.  This is available
on Last.fm and I think they disclose it as well, though it has yet to
see wide adoption.  Labels with successful acts (for example, Matador
Records) don’t typically pay for this kind of stuff anyway -
they are confident enough in their work and choices to see it featured
in blogs, magazines and elsewhere.

> However, if you are approached with this type of thing, I would encourage
> you to have a different section for this.  One way to approach this have a
> “hypem staff favorites” page.  Your staff could list promoted songs and then
> list them as their personal week favorites.  No one would suspect otherwise
> because it would be the “opinions” of the staff.

Hehe, this’d be sneaky - why would we hide the promoted stuff in this
fashion?  We have personal integrity too!

You’ve asked some good questions here, would it be ok for me to post
this email thread on our blog (or on my personal blog)?

I’d love your thoughts on all this too.

Nick Hornby on music blogs September 6, 2009

Nick Hornby (the writer of High Fidelity) has much to say about music blogs today in the Guardian Observer:

But it’s easy. Look at Hype Machine (hypem.com) to begin with: in the top right-hand corner of the site, you’ll see a list of the top five most-blogged artists, so you will get a sense of what’s going on out there (or in there, if you are a literal-minded soul).


And some of these post songs from new bands, and some post scratched old vinyl funk records, and if you spend an hour messing about you’ll find 20 or 30 great songs you never knew before. In other words: there’s no excuse.

But more importantly, you need never again feel as though the pop life is drifting away from you – indeed, the anonymity and user-friendliness of the MP3 blogs mean that one feels emboldened to walk into even the scariest-looking website in the full confidence that nobody will laugh at you.

He has a new book coming out, Juliet, Naked, which is “in part about how a middle-aged man devotes a large chunk of his life to keeping alive the work of a long-forgotten 80s singer-songwriter; he runs a messageboard, posts essays online, and virtually lives in a virtual world, talking to people he wouldn’t ever have met 10 years ago.”

Read the full article here.

Weekly Newsletters are Ready! September 4, 2009

We’ve just started sending out the first of our personalized weekly newsletters today.

The newsletters are customized based on what you and your friends do on the site.  The more active you are, the more neat things we can share with you:

We also alert you to shows coming to your area by looking at the artists you’ve listened to the most:

To get one of these in the mail weekly, be sure to get an account on the site, verify your email address (click on the link in an email we send you) and keep that “Personalized music updates” box checked!

See you next week!

Punkphoto.com’s 5th Anniversary Exhibit opening tonight! August 21, 2009

Abbey Braden, our kickass radio show host, also takes a ton of concert photos and publishes them at Punkphoto.  Today, Punkphoto turns 5 and to celebrate, some of the best photos are shown at Littlefield in Brooklyn.  Come join us, TimeOut agrees.

Yellow Bird Project’s Indie Rock Coloring Book world tour

Our favorite Canadians at the Yellow Bird Project are taking their Indie Rock Coloring Book on the road this month, and we haven’t been this excited for arts and crafts since we graduated the Academy of Rock!

YPB is a non-profit that sells tees designed by great indie musicians, with all proceeds going to a charity of the musician’s choice, and they’re doing the same for this super fun book. (Activities include: Find all the birds in Devendra’s beard and color them yellow).

You can read their blog right here, and if you’re coming out to the New York launch party, do say hi to our own t-shirt designer Zoya and help her finish the word search on page 12.

Reblog This Concert: A music showcase by Tumblr in New York today August 10, 2009

Reblog this Concert!

Reblog this Concert!

Our friends at Tumblr are putting on a show today!

It’s fittingly called “Reblog This Concert” and features The Urgency, Bamboo Shoots, Shinobi Ninja, and DJ sets by Bearbot and DJ Machine, all artists that use Tumblr as their home on the web.

Today (August 10th) at NYC’s Gramercy Theatre.

More info and tickets available here.

Hype Machine 2009 User Survey Results July 27, 2009

Our annual user survey went over really well this year. Over 2600 of you responded and we gave away some great prizes. Below are some highlights, but check out our demographics page for the full stats and charts.

Our audience

  • 51% are 18 to 24 years old
  • 35% are in college, 30% are college grads
  • 69% are male
  • 73% spend money on concert tickets
  • 46% spend money on MP3s
  • 30% spend $21-$40 per month on music
  • 31% spend $41+ or more
  • 61% attend 1-2 concerts every month!
  • 20% are music bloggers
  • 20% are DJs
  • 24% are musicians

For the first time we asked a series of questions to better understand how and why you use The Hype Machine. Thanks to Dave Stanton at Eikos Data for helping us interpret this data!

Cluster A (52% of total respondents)
Males who use music sites to:
1. Find new music in familiar genres
2. Find music before it’s popular
3. Find music they don’t already know

Cluster B (21% of total respondents)
Females who use music sites in the same ways as Cluster A plus:
4. Find bands recommended by word of mouth

Cluster C (27% of total respondents)
These are male and females have even, heavy reliance on the above four uses plus:
6. Want to see what people are saying about music
7. Share music

How would you describe The Hype Machine to a friend?

  • Great place to find music by artists you haven’t heard of yet
  • the most awesomest awesome music site on the Internet
  • Love in a jukebox on the internet
  • The collective consciousness of the online music world.
  • This website has psychic abilities, it knows which tracks are going to be hits before anyone else…and its easy to use.
  • The Hype Machine is the most user-friendly MP3 blog aggregator and a fantastic tool for both bloggers and fans.
  • A fine place to find new songs for an ambitious music taste.
  • A place where you’ll always find what you never knew you’d like.
  • The best thing the internet has ever seen, not counting porn.
  • Omy freak leak loop amazingness you gotsta check out this whip snippy doodle doo music site I found. It goes by the name The Hype Machine, and they have uber huge no splooge amounts of brain tuck duck muck fuckingly spec music. Check it out, if not for the sake of friendship, at the least to braingasm spasm love happiness yourself into audible epiphany!
  • Eclectic and eye opening.
  • Imagine Google Reader as a playlist. Now imagine it comes ready with all the best music blogs you don’t even know exist.
  • Way more fun than watching your itunes visualizer after snorting Columbian nose candy.
  • If you’re into music, there’s no way you can miss this.
  • HM = real time information about the music you like and will like

Connect your Hype Machine account to Twitter and Last.FM July 13, 2009

Some of the benefits of having a Hype Machine user account are cool new ways to share the music you discover.

Connect your account to Twitter and the machine will auto-tweet your favorite songs, bands and blogs. Connect to Last.fm and you’ll be able to keep track of everything you listen to on your Last.fm profile! Here’s how:

Connect to Twitter

step1 Step 1: After you are logged in, hover on Dashboard, then click on “settings”

step2
Step 2: Click on the Twitter tab and fill in your Twitter username and password. Then check the boxes if you want songs, blogs, searches and friends automatically tweeted.

step3
Step 3: When you favorite something on the Hype Machine, it will automatically be posted to your Twitter account!

Connect to Last.fm

step1 Step 1: After you are logged in, hover on Dashboard, then click on “settings”

step4
Step 2: Click on the Last.fm tab and fill in your Last.fm username and password and make sure the scrobbling box is checked.

step6
Step 3: Songs will automatically show up on your Last.fm profile page!

The Interactive Twitter Music Chart July 8, 2009

We’ve been frustrated by a few things about music charts recently.  One is the issue of chart integrity, the lines between manipulation & engagement and how to keep such a system honest while rewarding the right people.  Another is the terrible quality of most music services powered by Twitter.

Most of them have serious problems.  Some don’t reveal the methods or sources in which they’ve gathered their data, just publishing the chart and hoping people would buy it.  That prevents the web at large from auditing and finding errors in their methods and work.

Others don’t tell us anything new and don’t account for the social and interactive nature of Twitter, lumping it all together as ‘activity’.  So we end up with U2 as the top artist (or Michael Jackson, for the foreseeable future). Finally, the remaining set of tools just implements a file sharing layer on top of Twitter, then allowing others to search for uploaded media. Lame.

Given all this, we did what we usually do when there is music/web stuff out there that sucks: we built our own!

Check it out here: Twitter Music Chart

How does it work?
We monitor Twitter for links pointing to tracks on the Hype Machine.  We then give each of those tweets a number of points based on the number of followers (and the ratio of friends & followers) that person has. Finally, we add up all the points and figure out which tracks are tweeted by either the most influential twitter users, or by the largest group.  Simple.

Just tweet a link to any track on the Hype Machine and it will alter that track’s position in the chart. You can also check your Twitter score on the page to see how many points your tweet would add.  Try it!

How is this chart different?
Our interactive Twitter music chart addresses the problems we discussed above.  It’s easy to audit as you can see how many points were added by what users and when.  It also accounts for the social nature of Twitter by carefully weighing more influential users vs. groups of less influential users.  Finally, it presents an easily digestible overview of what’s going on in an interactive way. We welcome everyone tweaking and changing the chart with their tweets - that’s the point!

How is the Twitter user score determined?
We use a formula designed to spotlight tracks tweeted by influential Twitter users as well as those tweeted by groups of people overall.  Here is the actual formula:

round(( 1/3 * (twitter_followers / 10) ^ 0.5 ) * (twitter_followers / twitter_friends) * 10))

The follower/friends ratio in this case has a floor of 0.25 and a ceiling of 3.0 to limit certain extremes.  We really like the results we’ve been seeing with this approach, but we also know there are many serious math geeks out there.  If you have comments on creating a better formula that would better capture the different kind of tweeting activity, let’s chat.

Oh yeah, and one last thing: @hypem will now tweet whenever a new artist or track makes it to the top of any of our popular ranks, so follow us to stay in the loop.

Would love to know what you think!

More on Integrity and Promotion July 7, 2009

In just over a week, our post, “On Chart Integrity,” has attracted a ton of attention from bloggers, artists, and magazines.  I am excited that we could start such a conversation about music, marketing, and integrity on the web.

To move it in a new direction we’ve removed the list of artists in the earlier post.  Even though we’ve made it clear that it was impossible for us to identify the people creating the accounts & favoriting the content (nor was it possible to determine the relationship that those people have with the artists), it was still tempting for some readers to jump to conclusions.

Discussing such conclusions distracted us from the real question. Neil Cartwright, who works with Master Shortie, refocused the conversation by asking: What is the difference between hype & promotion, when is it marketing or manipulation and where is the balance?

Judging by the responses we’ve received to our earlier post, there are many answers to this question, some of which we seriously disagree with.  We think the answer is simple: make great music and do the right thing.  Work with people who will do the same.

Quality is hyperefficient, so much of the marketing will happen on its own.  The rest will be about getting your amazing music out there in a way that’s consistent with you and how you work.

Where is that line for you? What is promotion and what’s manipulation?

On Chart Integrity June 30, 2009

We’ve recently made some changes to the popular page so that it reflects the number of people who’ve favorited the track in the past three days.

Shortly after we made the change, we were alerted by the Sweet Touch blog about an artist (or their team) potentially altering the charts.  We then started reviewing account activity across the entire site and were able to confirm this and find other bands and blogs engaging in similar activity.

We found several artists (or their representatives) and blogs creating numerous accounts on the site and favoriting their tracks to get higher visibility in the charts. Because we’ve only recently switched to a chart based on the number of favorites, their efforts were not fruitful, however.  We’ve locked the accounts we found doing this and suspended tracking blogs we’ve detected contributing.

We’ve also taken some extra measures to prevent this in the future. New users on the Hype Machine now have to enter a Captcha, to rule out automated signups, and we monitor the account creation process more closely to detect manual efforts to create fake accounts, too.  As yet another precaution, when creating the Popular charts on the site, we only count the favorites by accounts older than a few days, so that a new wave of manipulative accounts cannot influence the page even if they get past our other checks. We are excited to share these enhancements with you.

Some of these techniques are used by sites like IMDB or Rotten Tomatoes so they’ve stood the test of time.  If you have more feedback on how to make them better, feel free to write using our contact form.  The integrity of what ends up on the Hype Machine is paramount, so we welcome more ideas and constructive criticism.

Finally, here is a list of artists (in alphabetical order) who (or their managers, promoters, interns, determined fans, there is no way to ultimately know) we believe have attempted to alter the charts on the Hype Machine. We thought we’d publish this list to let everyone make their own judgments about quality, integrity and marketing strategies:

[Update 07/07/2009: List of artists removed, see this post for details]

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